A selection of essays plus interviews and reviews about others' work.

Essays

“Fire and Flood: Enacting Rehearsal as Performance.” Chapbook. above / ground press (December 2021).

Excerpt from “How Will You Move: Including All of Us in the Dance.” Semi-Finalist, home(Body), a project of Cid Pearlman Performance. Selected by Denise Leto, Mara Milam, and Cid Pearlman (December 2021).

Changing the Subject: Learning from Postmodernism’s Focus on Process.” Originally published in Entropy (September 2021).

“Sarah Rosenthal on Hyesoon Kim.” The Operating System, 9th Annual NAPOMO 30/30/30: Day 12 (April 2020).

“Postmodern Dance: A Feminist Lineage.” American Book Review 40, No. 4 (May/June 2019).

Untitled essay. Otoliths (Spring 2010).

"September 4, 2008." Building is a Process/Light is an Element: Essays and Excursions for Myung Mi Kim. Eds. Michael Cross and Andrew Rippeon. Buffalo: P-Queue / Queue Books, 2008.

Interviews

“Dancer Mothers // Poet Daughters: A Conversation, Part 1.” many gendered mothers (July 2019).

“Dancer Mothers // Poet Daughters: A Conversation, Part 2.” many gendered mothers (August 2019).

“Contours of Creative Risk: A Conversation with Valerie Witte and Sarah Rosenthal.” Medium/The Operating System (July 2019).

Interview with Brenda Hillman (excerpted). Poets.org (Fall 2010).

Interview with Nathaniel Mackey (excerpted). Poets.org (Fall 2010).

Interview with Michael Palmer (excerpted). Poets.org (Fall 2010).

“Messing Up Linear Time: Excerpts from an Interview with Leslie Scalapino.” Delirious Hem: A Tribute to Leslie Scalapino (Fall 2010).

“Placing Silence: Kathleen Fraser in Conversation with Sarah Rosenthal.” Jacket 33 (July 2007).

“Leslie Scalapino in Conversation with Sarah Rosenthal.” Jacket 23 (11 Jan. 2001).

“Our Very Greatest Human Thing Is Wild: An Interview with Brenda Hillman.” Rain Taxi Review of Books (Fall 2003).

Reviews

Responses to Sea and Fog, by Etel Adnan and Hurrah’s Nest, by Arisa White. Disinhibitor (2013).

Responses to Ascension, by Giovanni Singleton; Continental Drifts, by Cheryl Pallant; The Incompossible, by Carrie Hunter; The New Make Believe, by Denise Newman; Waifs and Strays, by Micah Ballard; and Waveform, by Amber diPietra and Denise Leto. Third Factory (2012).

Response to Disclosure, by Dana Teen Lomax (2011).

Review of Homeless at Home, by Gloria Frym. How2 1.7 (Spring 2002).